Holiday, Billieoriginal name Eleanora Fagan, byname Lady Day
(born April 7, 1915, Philadelphia, Pennsylvania, U.S.died July 17, 1959, New York, New York) American jazz singer, one of the greatest from the 1930s to the '50s.
Eleanora Fagan was the daughter of Clarence Holiday, a professional musician who for a time played guitar with the Fletcher Henderson band. She later adopted the name Billie from a favourite movie actress, Billie Dove. In 1928 she moved with her mother from Baltimore, Maryland, to New York City, and after three years of subsisting by various means, she found a job singing in a Harlem nightclub. She had had no formal musical training, but, with an instinctive sense of musical structure and with a wealth of experience gathered at the root level of jazz and blues, she developed a singing style that was deeply moving and individual.
In 1933 Holiday made her first recordings, with Benny Goodman and others. Two years later a series of recordings with Teddy Wilson and members of Count Basie's band brought her wider recognition and launched her career as the leading jazz singer of her time. She toured with Basie and with Artie Shaw in 1937 and 1938 and in the latter year opened at the plush Café Society in New York City. About 1940 she began to perform exclusively in cabarets and in concert. Her recordings between 1936 and 1942 marked her peak years. During that period she was often associated with saxophonist Lester Young, who gave her the nickname Lady Day.
In 1947 Holiday was arrested for a narcotics violation and spent a year in a rehabilitation centre. No longer able to obtain a cabaret license to work in New York City, Holiday nonetheless packed New York's Carnegie Hall 10 days after her release. She continued to perform in concert and in clubs outside of New York City, and she made several tours during her later years. Her constant struggle with heroin addiction ravaged her voice, although not her technique.
Holiday's dramatic intensity rendered the most banal lyric profound. Among the songs identified with her were Strange Fruit, Fine and Mellow, The Man I Love, Billie's Blues, God Bless the Child, and I Wished on the Moon. The vintage years of Holiday's professional and private liaison with Young were marked by some of the best recordings of the interplay between a vocal line and an instrumental obbligato. In 1956 she wrote an autobiography, Lady Sings the Blues (with William Dufty), that was made into a motion picture in 1972.
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